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Entry · catalog no. 1180

Zulu

/ /ˈzuːluː/ /ZOO-loo
noun · New Orleans, Louisiana · 1900s
Verified
1.
A Black mutual-aid and burial society organized among working men in New Orleans in 1909 and incorporated in 1916, which pooled dues to cover sickness, funerals, and hard weeks at a time when Black families in the city could not depend on banks or insurers. The social aid half of the name is the older and more serious half: the club buried its members and walked behind them. The pleasure club half is what the world sees — a parade, a king, a brass band. In New Orleans the single word Zulu carries all of that at once, and to say a man rode Zulu is to say something about his standing in the neighborhood, not just about a costume.
My uncle rode Zulu twenty-two years straight and never missed a Carnival.
2.
The club's Mardi Gras morning parade, and by extension its signature throw — a coconut, shaved, painted, and glittered by hand, handed down from the float rather than thrown. Catching one is a small event in a New Orleans household; people keep them on mantels for decades. The word works as parade, as throw, and as membership, and which one is meant is settled entirely by context.
I caught a Zulu on Jackson Avenue and I'm not putting it down for nobody.
Origin & Attribution
Zulu is New Orleans and nowhere else. Its origin is documented rather than legendary: in 1908 a marching group of Black laboring men known as the Tramps, organized around John L. Metoyer, saw the traveling vaudeville company the Smart Set perform a skit called There Never Was and Never Will Be a King Like Me at the Pythian Temple. The following Carnival, in 1909, the group paraded under a new name, and by the mid-1910s had adopted grass skirts, an African stage theme, and floats built from boxes, palmetto leaves, and Spanish moss. The club incorporated on 20 September 1916. The coconut entered the tradition because riders could not afford glass beads — the Zulu historian emeritus Clarence Becknell has said so plainly — and it survives today because Louisiana legislators wrote it into law. The blackface question deserves to be stated rather than smoothed. The paint came off the vaudeville stage, where Black and white performers alike blacked up, and Zulu members have long held that it functioned as a mask in a city where Black men were barred from masking. Black New Orleanians have argued both sides of this for sixty years: in the early 1960s activists published a statement in The Louisiana Weekly repudiating the parade as a caricature, a boycott followed, and membership collapsed to roughly fifteen men before civil rights figures were brought into the club and the rift closed. Two misattributions should be corrected. Zulu has no connection to Afrika Bambaataa's Universal Zulu Nation, a Bronx organization founded in the 1970s that reuses the name. And Zulu is not a white krewe's invention or a white krewe's parody; it was organized by Black men, is governed by Black men, and its throws, its royalty, and its money have stayed in Black New Orleans hands since 1909.
1909
The Tramps parade for the first time as Zulu on Mardi Gras morning in New Orleans
1949
Louis Armstrong reigns as King Zulu, days after becoming the first Black American on the cover of Time
1988
Louisiana Senate Bill 188, the Coconut Bill, is signed 8 July, shielding the throw from liability and restoring the tradition after insurers walked away in 1987
Region of origin
West
Midwest
N.East
South
Nationwide
New Orleans, Louisiana · 1900s
Spoken by
Black New Orleanians — club members, brass band musicians, and Carnival-morning crowds along Jackson and Claiborne
$ZULUThe Record · cultural traction
Enduring
117 yrs
ahead of the mainstream
78/100
peak cultural energy
Introduced to English by the culture — logged here before the mainstream caught on.
Cultural usage — the recordMainstream search interest
First used
1909
in the culture
Cultural energy indexed from documented usage, search interest, and citation frequency. The recorded date is the archive’s permanent point of record.
Hear it spoken
By region — how it actually sounds
@auntiereg
Atlanta, GA
@deltasoul
Memphis, TN
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Citations & Sources
Louisiana State Museum, From Tramps to Kings: 100 Years of Zulu, centennial exhibit at the Presbytere, New Orleans, 2009
exhibition · institutional archive
Time, Music: Louis the First, cover story on Louis Armstrong, 21 February 1949
magazine · printed
Tammy C. Barney, Just how did Zulu get started?, Verite News New Orleans, 3 March 2025
news · reported
Louisiana Senate Bill 188, the Coconut Bill, signed by Gov. Edwin W. Edwards, 8 July 1988
statute · legislative record
Zulu Krewe Loves a Parade, NPR, 28 February 2006
radio · broadcast
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See also